About the Artist

I picked up my first chainsaw when I was seventeen, helping my father clear storm-damaged trees from our property in the foothills. Somewhere in that mess of fallen timber, I noticed a shape in a broken trunk—the curve of a bear's back, maybe, or just my imagination. I started carving that afternoon with no plan, just curiosity.

That was over twenty years ago. Since then, I've carved hundreds of pieces—bears, eagles, wolves, custom signs, abstract sculptures, and things I still don't have names for. Each one taught me something about the wood, the tools, and what's possible when you commit to seeing a piece through.

I work primarily with Western Red Cedar, Douglas Fir, and Pine—woods that grow in the forests around my home and workshop. I source logs locally whenever possible, often from trees that have fallen naturally or been removed for safety reasons. There's something right about giving that wood a second life.

My process starts with the chainsaw for rough shaping, then moves to smaller saws, grinders, and hand tools for detail. I don't use patterns or molds. Every piece is carved freehand, which means no two are exactly alike—even when I'm creating similar subjects. The wood itself has a say in how things turn out.

I take on a limited number of commissions each year. This isn't about exclusivity; it's about giving each piece the time and attention it deserves. When you commission a carving from me, you're getting something made specifically for you, with your vision guiding the work from start to finish.

— [Artist Name]